Short films and La Cinef Jury and selections of the 77th Festival de Cannes

She began her career in the U.S. as deputy international editor at The Hollywood Reporter, then moved to Columbia Pictures to manage remake projects. Returning to France in 1994, she produced some twenty films through her production companies Vendredi and Willow. After co-writing La Première Etoile, she wrote and directed her first film Ma première fois (2011), followed by Bowling (2012) and Once in a life time (2014). In 2015, Heaven Will Wait was selected at numerous festivals, and earned Noémie Merlant a nomination for the César for Best Emerging Actress. After All About Mothers (2017), her sixth film, A Good Man is part of the Official Selection 2020 of the Festival de Cannes. Her seventh film, Divertimento, was released in January 2023. She is the founder of the Cercle Féminin du Cinéma Français and Officier des Arts et des Lettres.

Currently director of the cinema department at the École cantonale d’art de Lausanne (ECAL), director of the Grütli Cinemas in Geneva and cinema curator at the Fondazione Prada in Milan, Paolo Moretti was general delegate of the Directors’ Fortnight, the parallel selection of the Festival de Cannes, from 2018 to 2022. He worked for numerous film festivals and institutions in Europe, including the Centre Pompidou and Cinéma du Réel in Paris, the Filmoteca Española in Madrid, the Leeds International Film Festival and the Portuguese Cinematheque in Lisbon. From 2008 to 2011, he was programming advisor and chief assistant to the director of the Venice Film Festival. Between 2014 and 2019 he directed the La Roche-sur-Yon International Film Festival and was a member of the selection committees of the FIDMarseille and Visions du Réel festivals.

Claudine Nougaret is a producer and director. She started out in the film industry as a sound engineer in 1984 on Éric Rohmer’s Le Rayon vert. In 1992, together with Raymond Depardon, she founded Palmeraie et Désert to produce quality documentary films including Urgences, Délits flagrants, Afriques : comment ça va avec la douleur ?, 10e Chambre, La Vie moderne, Journal de France, Les Habitants, 12 jours (presented in 2017 at the Festival de Cannes in Official Selection – Out of Competition). In 2021, she created the CST Award for best young female film technician at the Festival de Cannes, and in 2022 produced the film Riposte féministe by Marie Perennès and Simon Depardon, a documentary about feminist collectives across France (Festival de Cannes 2022, Official Selection).

Graduated from the Fémis film school, Vladimir Perišić presented his graduation film, the short Dremano oko, in the Cinéfondation selection at the Festival de Cannes 2003. In 2009, he directed his first feature film Ordinary People, an intense war film he co-wrote with Alice Winocour, in competition for the Caméra d’Or at the Festival de Cannes 2009. He returned in 2014 with Bridges of Sarajevo, screened in Special Screenings, a collective work by thirteen renowned European filmmakers on the history of the Bosnian capital, for which he directed Our Shadow Will. His latest film, Lost Country (2023), is a critically acclaimed intimate political chronicle. In parallel, he has been one of the programmers of the Belgrade Auteur Film Festival since 2011.